Bloc Party release new album – Hymns

The indie rock bank Bloc Party has released their 5th studio album titled Hymns. This follows last years solo record Trick from their front man Kele.

The first single The Love Within is an elcetro club banger and a great way to start off the record, which features a nice balance of indie rock tunes along with some more synth-based gems. The standout track for me is Fortress which is a hot sexy number reminiscent of Kele’s solo work.

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Stereophonics – I Wanna Get Lost With You

The melodic and infectious 2nd single, I Wanna Get Lost With You is from the forthcoming record, Keep The Village Alive. The single is a great sign of things to come as Kelly and Co have always had an arsenal of rockers as well as mid-tempo ballads but Jones has a tendency to stretch that unique voice of his at times. Here, he finds the perfect middle ground with guitars just punchy enough to make the song anthemic.

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Feeding Fingers – Your Candied Laughter Crawls

I’ve often felt that Feeding Fingers’ music has had a tendency toward quiet desperation, and, at times, a sense of holding itself back from its own full potential. But “Your Candied Laughter Crawls”, the debut single from their upcoming fifth album, is almost triumphant, musically. There is an entire metamorphosis occurring in the microcosm of this particular song, one that opens itself up to the listener like a blooming flower as it progresses from its sleepy opening notes to their book-end, with its entire story laid out in between.

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Drab Majesty – The Foyer

This is a song that changes sonic tactics throughout, and it works really well. Echoing the confusion and frustration of its narration, it vacillates between peace and discord. It builds its story around the lyrics, but challenges itself to tell that story with its audial composition. It warms from sparsity into intricacy, then plays with an almost noodling sound – evoking moments in waiting rooms; anticipatory, anxious.

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Ballerina Black – Blue-ish Grey

Lush arrangement and poetic, but not horribly cumbersome, lyrics make this a song for movement – this is a track to drive to, to walk to, to dance to – but it is also a song for mental movement. It is a track to think to, as well. I actually found myself reminded of bands like The Railway Children; there is an element of that sumptuous mid-eighties New Wave sound represented here – a bit darker, but quite handsomely dressed in the same sort of brilliant guitar melodies and steady, up-tempo undercurrents.

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Moon Tapes – A Little Bit Of Paris

There is indeed a warm staccato style of bass and guitar sound here which is highly reminiscent of the Smiths at their peak – Moon Tapes has mastered this particular brand of textured aural and emotional complexity, but give it their own unique spin. There isn’t quite Morrissey’s lyrical dexterity, but the plaintive angst vocalist Joep Meyer brings to the song is spot-on. Essentially, this is the Smiths without the hubris.

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Editors – Marching Orders (with lyrics)

Today the UK indie rock band Editors delivered their second new single this year. Continuing where they left off with No Harm, Marching Orders is a powerful balled that will hopefully be filling large stadiums in a town near you soon. I say “large stadiums” because I feel that it is the progression that this band is taking. In my mind, the band is hitting their stride with U2’s Joshua Tree era of songs.

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