Apparently, this is the summer of infectious female-led synthpop jams. You know what? I’m quite ok with this. Meanwhile, the video is all sorts of Retro invoking the look of Deee-Lite and Austin Powers at the same time.
Strong Hearts is just the latest in a string of infectious synthpop jams from the Orlando duo, Priest. From the debut self-titled LP, the track will have you singing along in no time and it’s not going to leave your head any time soon.
I flat out LOVE this new track from Class Actress! Elizabeth Harper has done a rather impressive job of re-inventing herself; from her earlier folkier acoustic based solo days when she was billed as a ‘Female Morrissey’, to her rebirth as a synthpop star with Class Actress tracks like Journal Of Ardency, Weekend and Keep…
From the moment you hear the syncopated beats you are thinking some kind of 80’s dance jam ala Blue Monday or Bizarre Love Triangle is on the way. Not exactly, as the song settles in to a more chilled groove with slightly disaffected vocals – but that is kind of the charm of The Radio Dept. As the song continues, the bouncy synths invoke Royksopp and Technique-era New Order.
This title track from Tobias Bernstrup’s new album “Romanticism” is a great synthpop track and really has multiple levels of the theme “old vs new”. It has a modern sound but you can hear its ’80s roots, and it will appeal to fans of bands like Alphaville and Empathy Test and many others in that genre.
Happiness is…a new IAMX single! Nobody quite lays down the sinister synth beats like former Sneaker Pimps frontman Chris Corner. Happiness is…the fact that the b-side of the single is a remix of the title track by fellow dark synth purveyor Gary Numan.
Let’s just get right to it…High is an anthemic Electropop jam. Everything By Electricity rarely misses and High is no exception. The track teases with 10 seconds of pulsating synths before the bass beats kick in. At this point I am primed and ready, and Emi’s dreamy vocals bring it on home. Folks, we’ve got an early summer jam right here in the vein of Chromatics and Chvrches and I don’t drop those names lately.
It took me all of three notes to say ‘SWEET, a new OMD track’! But wait, then it kicked into gear and I heard a more modern Synth sound and I found myself saying please don’t be one of those tracks where the music is amazing and then the vocals come in and ruin it. Well, that’s not happening here! What a pleasant surprise coming across this lovely little synthpop nugget.
This mix is made up of rare 80’s songs acquired through a friend who worked at a record store in Europe in the early 80s. The majority of these songs never existed anywhere else but on vinyl. Each one of these songs could’ve carried a scene in any John Hughes film. A lot of these songs are now forgotten forever, besides the ones who lived the era.
Azure Blue plays slightly-twee synthy new wave which would appeal to fans of the Junica, Trembling Blue Stars, and Lightning Seeds. This song, “Every Ending Story”, is from this Swedish band’s new EP and is among my favorites by them. I could imagine hearing this ’80s-style tune being played over the closing credits of a…
Admittedly, we listen to a lot of Depeche Mode-sounding bands here at Chez Strangeways, and lucky for us this German band is among the Depeche-iest. SynthDecade has a few great songs, including this one, which reminds me a little of DM’s ʺWalking in My Shoes.ʺ This song has a very late ’80s/early ’90s DM feel, including the dark uptempo feel, the vocal effects, the chord changes, and the occasional unexpected bloops, bleeps, and twang that keep it all very interesting during repeated listening.
The song takes you back to the analog synthpop of the early/mid ’80s. Then you look at the associated picture of the band mates, and it fits perfectly, with an aqua-colored skinny tie and headband complementing their black shirts and serious looks on their faces. Great stuff. Parts of this Toronto band’s song really reminds me of Berlin’s ʺMasqueradeʺ. The synths twinkle, buzz, fade, and swell throughout the song with really nicely interwoven vocals during the final minute.