Manic, the latest single from Toronto’s Prince Innocence, may have just heralded the end of synthy summer jam season. The deep, bassy intro hearkens back to late 90’s Triphop. The song itself has a dark and ominous feel throughout. The lyrical content does nothing to brighten the mood, with its reference to ‘dark hallways and wasted days’.
New order release their first single ‘Restless’ off their upcoming album, Music Complete out September 25th on Mute.
What better way to enjoy these hot summer nights then rolling down the windows and cranking out some Disco-Synth? Synthco? Disynth? I’m not even sure what to call this genre, but Kisses‘ A Groove could be one of its defining tracks, melding classic disco sounds with modern Electro-chill dance.
Chvrches has announced the initial details of the sophomore album called Every Open Eye. It is scheduled to be released on September 25th. The first single is called Leave A Trace and you can get your first listen right here.
Halou-lujah…some new music from San Francisco Synthpop duo Halou! Ryan and Rebecca Coseboom have been making music for almost 20 years now, orginally under the name Halou but also as Inivisble Ballet, R/R Coseboom and Stripmall Architecture. They have ranged from Dreampop to Synthpop to Trip Hop. The latest single, Lean Into The Gravity starts off sweetly enough, but a faintly sinister Triphop beat enters, giving the track a bit of a dark, ominous feel.
It’s becoming quite popular to cover Billy Idol’s “Eyes Without A Face” these days, and I’m quite OK with that. The Irish duo Electro Sensitive Behavior have given this track the synthpop treatment. While it sounds true to the original recording, the additional synths combined with a Lou Reed meets Peter Murphy vocal make this cover a keeper.
Yesterday, 80’s icons a-Ha released the first single called ‘Under The Make-up’ off of their forthcoming album ‘Cast In Steel’. A tour is expected to accompany the new album. Singer Morten Harket’s voice is as good as ever on this melancholy track that reminds us a little of ‘Lifelines’. The synths and orchestration on this track are movie soundtrack beautiful and leave us anticipating what the rest of the album might sound like.
One of my favorite albums of the mid 90s was Jamboreebop by State Of Grace featuring the songs Hello, And Love Will Fall and Smile. This was a band that I truly missed, until today. I was listening to some playlists on Spotify and heard this beautiful voice that immediate caught my attention…and it sounded oh so familiar. The band was Fatal Charm, a band that I had never heard of. I continued to listen to a few songs and after a while the sounds started to sound familiar. They were State Of Grace songs! I did some quick googling and was surprised to find out that Fatal Charm was the early incarnation of State Of Grace.
Apparently, this is the summer of infectious female-led synthpop jams. You know what? I’m quite ok with this. Meanwhile, the video is all sorts of Retro invoking the look of Deee-Lite and Austin Powers at the same time.
Strong Hearts is just the latest in a string of infectious synthpop jams from the Orlando duo, Priest. From the debut self-titled LP, the track will have you singing along in no time and it’s not going to leave your head any time soon.
I flat out LOVE this new track from Class Actress! Elizabeth Harper has done a rather impressive job of re-inventing herself; from her earlier folkier acoustic based solo days when she was billed as a ‘Female Morrissey’, to her rebirth as a synthpop star with Class Actress tracks like Journal Of Ardency, Weekend and Keep…
From the moment you hear the syncopated beats you are thinking some kind of 80’s dance jam ala Blue Monday or Bizarre Love Triangle is on the way. Not exactly, as the song settles in to a more chilled groove with slightly disaffected vocals – but that is kind of the charm of The Radio Dept. As the song continues, the bouncy synths invoke Royksopp and Technique-era New Order.