The Cure has announced four concert dates in Australia to celebrate the 30th anniversary of the legendary album, Disintegration. They will be playing at the Sydney Opera House on May 24-25, 27-28. This is considered to be the “world premier” of the 30th anniversary shows, leading us to believe that they be doing more of…
This weeks playlist celebrates the catalog of the legendary Peter Murphy. This features selections from all of his solo albums plus a few choice Bauhaus tracks. When making the playlist, I fully expected to have quite a few selections from Deep and Cascade. But, I was a bit surprised at how many songs from Unshattered would end of making it. This just proves that it’s good to go back and examine an artists entire catalog.
DJ Mikey presents some his favorite indie rock, post punk and shoegaze tracks from 2019. This is a great way to hear a ton of new releases and familiarize yourself with some up and coming bands. This playlist is updated daily, so feel free to follow it on Spotify to keep up with some of the latest tunes in this genre.
oday may be the birthday of Cold Cave frontman Wesley Eisold, but we are the ones getting the gift. As the band embarks on their 2019 tour, they released a new single called Promised Land. The timing is perfect because this is definitely one of those songs that you can’t wait to hear live. It’s a dark, romantic track that would do well in any dark wave / post punk club scene.
A genuine treat for Valentine’s Day: Vancouver post-punk band ACTORS has gifted us all with a cover of The Sound’s “Mining For Heart” (1985) just this morning, swiveling from the shining nostalgic brightness of their 2018 full-length release ‘It Will Come To You’ into a sound straddling grit without resorting to harshness. Jason Corbett’s vocals imbue the song with a strange warmth that is signature ACTORS; the definitive bassline, too, carries Jahmeel Russell’s hallmark sound and is borne gracefully by Corbett’s guitar and Shannon Hemmett’s subdued, moody synths.
The Julia/Spring 7″ from Melbourne’s Lowtide will appeal to fans of the 80’s UK Post-Punk sound made popular by Chameleons UK, Echo and The Bunnymen and The Sound. The 2 track single melds the Post-Punk sound with 90’s Shoegaze a la Kitchens Of Distinction and Slowdive.
I’ve often felt that Feeding Fingers’ music has had a tendency toward quiet desperation, and, at times, a sense of holding itself back from its own full potential. But “Your Candied Laughter Crawls”, the debut single from their upcoming fifth album, is almost triumphant, musically. There is an entire metamorphosis occurring in the microcosm of this particular song, one that opens itself up to the listener like a blooming flower as it progresses from its sleepy opening notes to their book-end, with its entire story laid out in between.
This New York band’s post-punk / new wave song is a great contrast in light and dark, and should appeal to a wide spectrum of music fans. Starting with a jangly, memorable, and very chipper reverb’d guitar riff, the mood turns darker when the deep, slightly melancholic vocals begin, with a chorus that sounds like…
Plantlife, the new single from Cold Showers is a very pleasant surprise to stumble upon. The LA Post-Punk band wowed us with their debut LP “Love and Regret”, but they’ve been pretty quiet of late. On the surprise new single, a driving synth beat is added to the mix of pounding drums and shimmering Post Punk…
Wow…there is just a ton going on here…within the opening seconds you’ve got a Post-Punk bassline, then wait…some jangle that could signal some lighter Indiepop ala Bleachers is on the way, followed by ‘Twinkles’ found in many Raveonettes tracks and then finally some Synth reminescent of Eurythmics? What the hell direction are we going? Mind you we are only 20 seconds in. Finally we get some deep baritone vocals and all of these disparate sounds start to come together rather nicely.
Another in a line of great new tracks from future John Hughes’ soundtracks…City Calm Down’s Rabbit Run could have easily highlighted the angst of Watts, pining for her buddy Keith while he romanced the snobby Amanda Jones. This is a jangly Post-Punk track that bridges the gap between the sound of 80’s throwbacks like Furniture, Flesh For Lulu and The Psychedelic Furs with modern purveyors like Mode Moderne, DIIV and Beach Fossils.
Set the wayback machine to the UK in the mid-’80s, and get ready to sway to an excellent dark melodic pop song reminiscent of Modern English, Echo and the Bunnymen, and Joy Division (plus some of the newer purveyors of this sound like the Graveyard Club). The melancholy of Eric Miranda’s deep vocals and his lyrics about tears reflecting the rain are offset by the intricately layered upbeat synth-tinged, bass-driven alt pop-rock.