There is indeed a warm staccato style of bass and guitar sound here which is highly reminiscent of the Smiths at their peak – Moon Tapes has mastered this particular brand of textured aural and emotional complexity, but give it their own unique spin. There isn’t quite Morrissey’s lyrical dexterity, but the plaintive angst vocalist Joep Meyer brings to the song is spot-on. Essentially, this is the Smiths without the hubris.
Well, this is certainly a welcome sound. A brand new EP from Elbow. A brand new single from Elbow. Those are enough to perk up my ears, but a shimmering, majestic and UPBEAT single from Elbow? The sounds like a lost Peter Gabriel single from the Us-era or at least a return to Elbow’s early days.
This New York band’s post-punk / new wave song is a great contrast in light and dark, and should appeal to a wide spectrum of music fans. Starting with a jangly, memorable, and very chipper reverb’d guitar riff, the mood turns darker when the deep, slightly melancholic vocals begin, with a chorus that sounds like…
Today the UK indie rock band Editors delivered their second new single this year. Continuing where they left off with No Harm, Marching Orders is a powerful balled that will hopefully be filling large stadiums in a town near you soon. I say “large stadiums” because I feel that it is the progression that this band is taking. In my mind, the band is hitting their stride with U2’s Joshua Tree era of songs.
Wow…there is just a ton going on here…within the opening seconds you’ve got a Post-Punk bassline, then wait…some jangle that could signal some lighter Indiepop ala Bleachers is on the way, followed by ‘Twinkles’ found in many Raveonettes tracks and then finally some Synth reminescent of Eurythmics? What the hell direction are we going? Mind you we are only 20 seconds in. Finally we get some deep baritone vocals and all of these disparate sounds start to come together rather nicely.
Another in a line of great new tracks from future John Hughes’ soundtracks…City Calm Down’s Rabbit Run could have easily highlighted the angst of Watts, pining for her buddy Keith while he romanced the snobby Amanda Jones. This is a jangly Post-Punk track that bridges the gap between the sound of 80’s throwbacks like Furniture, Flesh For Lulu and The Psychedelic Furs with modern purveyors like Mode Moderne, DIIV and Beach Fossils.
Set the wayback machine to the UK in the mid-’80s, and get ready to sway to an excellent dark melodic pop song reminiscent of Modern English, Echo and the Bunnymen, and Joy Division (plus some of the newer purveyors of this sound like the Graveyard Club). The melancholy of Eric Miranda’s deep vocals and his lyrics about tears reflecting the rain are offset by the intricately layered upbeat synth-tinged, bass-driven alt pop-rock.
This mix celebrates some of my favorite recent Post Punk tracks. The songs in this mix will remind you of bands like Interpol, Jesus & Mary Chain, and plenty of other post punk favorites. Most of these bands are pretty new, so this is a good way to explore some up and coming bands.