oday may be the birthday of Cold Cave frontman Wesley Eisold, but we are the ones getting the gift. As the band embarks on their 2019 tour, they released a new single called Promised Land. The timing is perfect because this is definitely one of those songs that you can’t wait to hear live. It’s a dark, romantic track that would do well in any dark wave / post punk club scene.
A genuine treat for Valentine’s Day: Vancouver post-punk band ACTORS has gifted us all with a cover of The Sound’s “Mining For Heart” (1985) just this morning, swiveling from the shining nostalgic brightness of their 2018 full-length release ‘It Will Come To You’ into a sound straddling grit without resorting to harshness. Jason Corbett’s vocals imbue the song with a strange warmth that is signature ACTORS; the definitive bassline, too, carries Jahmeel Russell’s hallmark sound and is borne gracefully by Corbett’s guitar and Shannon Hemmett’s subdued, moody synths.
In their prior full length release “ YR Body is Nothing”; Boy Harsher created a driving, yet stripped down musical landscape, evoking an uneasy neurotic headspace with existential sexual crisis based lyrics paired with beats that your body can’t help but dance to. It causes the listener an uneasy reaction of pleasure met with discomfort. The single release, “Pain” showed the strengths of the band captured in a single track. Let me tip my hat to another well known band who captures this feeling by saying Boy Harsher do indeed capture the “pain” that we have not only become used to, but now fully seek out and can’t get enough of.
DJ Mikey presents some his favorite synthpop, electronica and dark wave tracks from 2019. This is a great way to hear a ton of new releases and familiarize yourself with some up and coming bands. This playlist is updated daily, so feel free to follow it on Spotify to keep up with some of the latest tunes in this genre.
DJ Mikey presents some his favorite synth and dark wave tracks from 2016. This is a great way to hear a ton of new releases and familiarize yourself with some up and coming bands. This playlist is updated daily, so feel free to follow it on Spotify to keep up with some of the latest tunes in this genre.
An amalgam of animal and artifice, “Daisy Cutter” thumps into being with a calling that immediately commands the struggle taking place within its tones. With an inherent uncertainty, there is still the sense of something victorious here; veiled among the overturning of allegories and pontifications on doubt is a creeping self-awareness of purpose that builds this song into an anthem at its climax. This is a song about survival, about laying waste to obstacles and destroying barriers to find truth and faith beyond a seemingly endless void.
INTENT:OUTTAKE’s darkly gorgeous “Der Letzte Tanz” (in English, “The Last Dance”) is a song with which I have been slowly acquainting myself, sinking into its melancholy throb and surging sadness to relish the sympathetic salve of its despair. It tells its story with an arrhythmic heartbeat, an appeal for a frozen soul’s final dance before oblivion.
I’ve often felt that Feeding Fingers’ music has had a tendency toward quiet desperation, and, at times, a sense of holding itself back from its own full potential. But “Your Candied Laughter Crawls”, the debut single from their upcoming fifth album, is almost triumphant, musically. There is an entire metamorphosis occurring in the microcosm of this particular song, one that opens itself up to the listener like a blooming flower as it progresses from its sleepy opening notes to their book-end, with its entire story laid out in between.
This is a song that changes sonic tactics throughout, and it works really well. Echoing the confusion and frustration of its narration, it vacillates between peace and discord. It builds its story around the lyrics, but challenges itself to tell that story with its audial composition. It warms from sparsity into intricacy, then plays with an almost noodling sound – evoking moments in waiting rooms; anticipatory, anxious.
A Copy for Collaspe’s second single “Grey Sunday” is a sickly sweet, sinister treat for those who like darker synthpop. Fans of Teeel and Torul should welcome another shimmering nightmare into their listening consciousness, as this track packs just enough glitter in its fangs to make you wonder if you should stay asleep or snap out of the dream before you reach the song’s conclusion.
Admittedly, we listen to a lot of Depeche Mode-sounding bands here at Chez Strangeways, and lucky for us this German band is among the Depeche-iest. SynthDecade has a few great songs, including this one, which reminds me a little of DM’s ʺWalking in My Shoes.ʺ This song has a very late ’80s/early ’90s DM feel, including the dark uptempo feel, the vocal effects, the chord changes, and the occasional unexpected bloops, bleeps, and twang that keep it all very interesting during repeated listening.
This mix features a variety of Post Punk and Indie tunes that we like to call “Vampire Vocals”. It features all male singers who have deep dark voices. This is a great mix to listen to on your darkest days!